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<XML><RECORDS>
<RECORD>
	<REFERENCE_TYPE>3</REFERENCE_TYPE>
	<AUTHORS>
		<AUTHOR>Amelie Anglade</AUTHOR>
		<AUTHOR>Rafael Ramirez</AUTHOR>
		<AUTHOR>Simon Dixon</AUTHOR>
	</AUTHORS>
	<YEAR>2009</YEAR>
	<TITLE>First-Order Logic Classication Models of Musical Genres Based on Harmony</TITLE>
	<SECONDARY_TITLE>Proceedings of the 6th Sound and Music Computing Conference (SMC 2009)</SECONDARY_TITLE>
	<PLACE_PUBLISHED>Porto, Portugal</PLACE_PUBLISHED>
	<PAGES>309-314</PAGES>
	<DATE>July, 2009</DATE>
	<ABSTRACT>We present an approach for the automatic extraction of transparent classification models of musical genres based on harmony. To allow for human-readable classification models we adopt a first-order logic representation of harmony and musical genres: pieces of music are represented as lists of chords and musical genres are seen as context-free definite clause grammars using subsequences of these chord lists. To induce the context-free definite clause grammars characterising the genres we use a first-order logic decision tree induction algorithm, Tilde. We test this technique on 856 Band in a Box files representing academic, jazz and popular music. We perform 2-class and 3-class classification tasks on this dataset and obtain good classification results: around 66% accuracy for the 3-class problem and between 72% and 86% accuracy for the 2-class problems. A preliminary analysis of the most common rules extracted from the decision tree models built during these experiments reveals a list of interesting and/or well-known jazz, academic and popular music harmony patterns.</ABSTRACT>
</RECORD>
</RECORDS></XML>
